Media Archive: Hillman Photography Initiative

Carnegie Museum of Art to Reopen and Welcome Visitors on June 29

Carnegie Museum of Art to Reopen and Welcome Visitors on June 29

Contact
Taia Pandolfi
Carnegie Museum of Art
pandolfit@cmoa.org
412.688.8690

Pittsburgh, PA—Carnegie Museum of Art (CMOA) has announced it will reopen to the public on June 29, 2020, after a period of closure that began March 14 due to the COVID-19 pandemic. The museum is reopening with CDC recommended safety protocols and timed ticketing in place, along with a new 2020 exhibition calendar, to warmly welcome visitors, staff, and volunteers. The museum invites Carnegie Museums of Pittsburgh members a couple days early, starting on June 26.

“I am elated to reopen our doors and welcome the entire community into our museum,” says Eric Crosby, the Henry J. Heinz II Director. “Since we temporarily closed, our team has been working diligently to create an environment that is safe and welcoming for our visitors, staff, and volunteers. We want each person visiting the art museum to feel comfortable and confident that they will have a positive and meaningful experience as they connect with their favorite artworks and CMOA friends.”

Health & Safety
To protect visitors, staff, and volunteers, the museum has updated its health and safety procedures. It will be limiting admissions to 25% of building capacity through required timed ticketing for all visitors; clearly marking foot-traffic patterns in high-traffic areas; enhancing cleaning protocols; modifying interactive areas; providing additional hand sanitizer stations; and installing plexiglass shields at visitor services desks. Visitors, staff, and volunteers over the age of two will be required to wear masks and encouraged to practice safe social distancing by keeping six feet apart (visitors may stay close to their own group but should stay six feet away from other groups and individuals). The museum is also designating special hours for those visitors who are at a higher risk for severe illness due to age (65+) or a medical condition on Wednesday mornings from 10 a.m.–noon.

Discounts—including college student, Access card, and active military—will be available for visitors on a walk-up basis; eligible visitors are asked not to purchase a timed ticket but to request a discount from a Visitor Services staff member upon arrival at the museum.

At the Museum
While at CMOA, visitors can enjoy two on-site exhibitions that have been extended, in addition to the museum’s vast permanent collection and In Sharp Focus: Charles “Teenie” Harris. The first exhibition, Counterpressures, which will extend through January 3, 2021, features ten Pittsburgh-area artists who examine the fraught relationship between humans and the environment. The second exhibition, An-My Lê: On Contested Terrain, the largest career-spanning survey of Vietnamese American photographer An-My Lê, will extend through January 18, 2021; earlier this year, this exhibition was described by acclaimed art critic Nancy Princenthal as “revelatory” in The New York Times.

Online
While CMOA is opening its doors, it will continue providing robust, inspiring online content and interactive programming for everyone who enjoys experiencing CMOA from home. Every three months, CMOA will continue sharing artworks as part of its new online exhibition series, which kicked off May 20 with Rachel Rose: Lake Valley. Every week, the museum will offer virtual programs and events, and every day, art-related content will be shared via the museum’s websiteemail, and InstagramTwitter, and Facebook feeds.

Upcoming Exhibitions
Trevor Paglen: Opposite Geometries
Various Galleries
September 4, 2020–March 14, 2021

The third iteration of the Hillman Photography Initiative (HPI), a CMOA project committed to exploring new ideas about photography, launches this year. The initiative will present an exhibition of work by artist Trevor Paglen, a publication, and an interdisciplinary podcast.

With the development and advancement of artificial intelligence (AI), there has been a radical change in the way that surveillance systems capture, categorize, and synthesize photographs. Mirror with a Memory explores the many ways artists probe the intersections of photography, surveillance, and AI—their past, present, and future—to underscore concerns about implicit bias, right to privacy, and police monitoring embedded in corporate, military, and law enforcement applications.

The exhibition will include a new site-specific commission as well as a sculpture that doubles as a WiFi hotspot and photographs that reveal how AI analyzes and labels photographs of people and places. These works will be placed in three areas within the museum, inviting visitors to encounter Paglen’s insightful perspective in different contexts.

Trevor Paglen: Opposite Geometries is organized by Dan Leers, curator of photography, with Taylor Fisch, project curatorial assistant.

Locally Sourced
Charity Randall Gallery
November 20, 2020–March 27, 2022

Pittsburgh has a long tradition of artisans and industry. Today it is home to a growing cohort of independent designers and makers working in traditional media such as clay, glass, metal, fiber, wood, and paper, and with emergent materials and technologies. Locally Sourced: Contemporary Pittsburgh Products highlights new work by some of the region’s most talented artists and makers of functional goods and furnishings.

These are the producers who are creating opportunities—developing their craft into a business. These are the innovators who are reinventing traditional handwork processes and manufacturing technologies to transform raw and reclaimed materials into products that have utility, durability, and good design. These are the locally sourced.

Locally Sourced is organized by Alyssa Velazquez, curatorial assistant for Decorative Arts & Design.

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CMOA to launch new Bradford Young installation

Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

Carnegie Museum of Art (CMOA) announces REkOGNIZE, a new multichannel video work by artist and Academy Award-nominated cinematographer Bradford Young (Selma, Arrival). Part of the Hillman Photography Initiative’s LIGHTIME, the work will be installed in CMOA’s Scaife Galleries of contemporary art, opening June 16.

Still from Bradford Young, "REkOGNIZE," 2017, Three-channel video (color, sound), Courtesy of the Artist. REkOGNIZE is commissioned by the Hillman Photography Initiative, Carnegie Museum of Art, Pittsburgh

Still from Bradford Young, “REkOGNIZE,” 2017, Three-channel video (color, sound), Courtesy of the Artist. “REkOGNIZE” is commissioned by the Hillman Photography Initiative, Carnegie Museum of Art, Pittsburgh

REkOGNIZE is a meditation on photography, memory, and movement. Young finds inspiration in Pittsburgh’s Hill District neighborhood, a site of the early 20th-century Great Migration. During this time, millions of African Americans moved from the rural southern United States to cities in the north and west. The Hill District saw a flourishing of culture during these years and was a site of artistic development for luminaries such as August Wilson, Charles “Teenie” Harris, Errol Garner, and many others. REkOGNIZE takes its visual cues from the Pittsburgh landscape, especially the city’s tunnels, which serve not only as literal entry points into the city, but also as metaphors for this movement of people and culture.

The work is three-channel video featuring Young’s footage of the Hill District, shots of Pittsburgh’s tunnels, and a translation of several Teenie Harris photographs into matrices of metadata. This digital code is also the basis for the work’s musical score by jazz pianist and composer Jason Moran. Young is a constant collaborator across artistic disciplines, working with Creative Time, artist Leslie Hewitt, and director Ava DuVernay, as well as musicians Common and Gingger Shankar, among others. For REkOGNIZE, Moran picks up on the patterns and visual rhythms found within the code, creating music that enters into conversation with Young’s imagery. Young and Moran’s interdisciplinary approach to Harris’s images asks us to reflect on the power of photographs from the past to inspire work today. In doing so, they blur the boundaries between still and moving image, analog and digital, and visual and auditory experiences.

Bradford Young

Bradford Young

For its June 16 debut, Young hosts a screening and discussion of Black America Again, a short film directed by Young featuring Common. The discussion places REkOGNIZE in the context of his larger practice, which shares a focus on community, memory, and ritual.

The work is part of LIGHTIME, a year of programming from the Hillman Photography Initiative. At its essence—and since its beginnings—photography measures light and time. The four artist projects unfolding in 2017 expand upon this notion, using it as a springboard to investigate contemporary social issues.

REkOGNIZE is commissioned by the Hillman Photography Initiative at Carnegie Museum of Art. Support for the Hillman Photography Initiative is provided by the William T. Hillman Foundation and the Henry L. Hillman Foundation.

cmoa.org/lightime

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art enriches people’s lives through art. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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New VR Artwork at CMOA

Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.216.7909

Styles and Customs of the 2020s
Virtual Reality Artwork by Scatter x DIS opens March 16

 

Pittsburgh, PA…Carnegie Museum of Art (CMOA) announces the launch of Styles and Customs of the 2020s, a virtual reality (VR) artwork at the museum collaboratively created by artist studios Scatter and DIS. Visitors will use a fully immersive headset to view the work.

Debuting March 16 in CMOA’s Hall of Architecture, the VR experience takes users from a primeval cave setting, where wall paintings are animated by flickering firelight, to uncanny scenes in the not-too-distant future. Styles and Customs of the 2020s presents a digital dystopia inflected by rapid climate change, social unrest, and shifting global economics. The work was commissioned by the Hillman Photography Initiative, based on the prompt: How do new photographic technologies shape the virtual realm?

CMOA's Hall of Architecture

CMOA’s Hall of Architecture

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CMOA Announces Music Lineup & Activities for NIGHTIME

August 17, 2016
Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

CMOA Announces Music Lineup & Activities for NIGHTIME

Pittsburgh, PA…Carnegie Museum of Art (CMOA) announces the full lineup for NIGHTIME, a 9-hour can’t-miss party, stretching from 7 p.m. to 4 a.m. starting September 9.

7-10 p.m. is all ages; 10 p.m.-4 a.m. is 18+. Tickets are available at CMOA’s website.

10 PM to 4 AM
DANCE PARTY // MUSIC HALL FOYER
10 PM: Metacara (VIA)
11 PM: EYE JAY (VIA)
12 – 1:30 AM: Naeem b2b Jwan Allen (Hot Mass)
1:30 – 3 AM: Shawn Rudiman (Hot Mass)
3 – 4 AM: Tony Fairchild (Hot Mass)
Light installation by Ian Brill

metacara3
7 PM to 10 PM
FAMILY DANCE PARTY // GRAND STAIRCASE
7 – 9 PM: DJ Kelly Mom
PERFORMANCES // FOUNTAIN/MAIN STAGE
7 PM: Colonel Eagleburger’s Highstepping Goodtimes Band
8 PM: For Those About to Rock Academy (Britsburgh)
9 PM: 1Hood Media
PERFORMANCES // MUSIC HALL STAGE
7 PM: East Hills Wind Ensemble (Britsburgh)
8 PM: Cosmic Attack Blues Band & Honeyrider All-Stars (Britsburgh)
PERFORMANCES // COURTYARD
7:30 PM: J. Trafford (Britsburgh)
8:30 PM: The Love Letters (Britsburgh)
TEEN ART MAKING // CAFE
7 – 10 PM: Teen Lounge including art making and scavenger hunt
FOOD TRUCK ROUNDUP // SCULPTURE COURT
7 – 10 PM: Asado, Onion Maiden, Happy Camper Cakes, Second Breakfast, Sticklers, Berlin Street Food
GALLERY TOURS
7 – 10 PM: Interactive Experiences, Alison Knowles
7:45 & 8:45 PM: ASL Interpreted Tours
8 & 10 PM: RUA Architects talk, Heinz Architectural Center
7 – 10 PM: Artventures in-gallery art making

NIGHTIME kicks off the Hillman Photography Initiative’s LIGHTIME, where artists activate photography’s measurement of light and time to investigate contemporary social issues. The party stretches from the evening into the early morning hours, hosting community collaborators for a celebration of photography. Our galleries remain open until 10 p.m., and performances and programs activate spaces throughout the museum. It also features the unveiling of a unique public photographic installation that measures and visualizes time itself.

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L-R: artists Andrea Polli, Alisha Wormsley, DIS, and Bradford Young

The Hillman Photography Initiative’s LIGHTIME focuses on four new commissioned projects by artists Andrea Polli, Alisha Wormsley, DIS,and Bradford Young. The Hillman Photography Initiative at CMOA is an incubator for innovating thinking about photography. It collaborates with a team of people with unique perspectives on photography to formulate each programming cycle.

Support
Support for the Hillman Photography Initiative is provided by the William T. Hillman Foundation and the Henry L. Hillman Foundation.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art enriches people’s lives through art. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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NIGHTIME Party Kicks off LIGHTIME Photography Programming

Contact:
Jonathan Gaugler | gauglerj@cmoa.org  | 412.688.8690 / 412.216.7909

Pittsburgh, PA…On September 9, 2016, a special event, NIGHTIME, celebrates the launch of LIGHTIME, a new year-long cycle of extraordinary programming from Carnegie Museum of Art’s Hillman Photography Initiative. The party features the unveiling of a unique public photographic installation that measures and visualizes time itself, 9 hours of music, and art & photography activities throughout the museum.

NIGHTIME
September 9–10, 7 p.m.–4 a.m.
Carnegie Museum of Art
Tickets are available, $10–$25

NIGHTIME kicks off the Initiative’s LIGHTIME, where artists activate photography’s measurement of light and time to investigate contemporary social issues. We take our cues from theorist Roland Barthes, who observed that “cameras…were clocks for seeing.”

“For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.”

–Roland Barthes, from Camera Lucida: Reflections on Photography

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