Media Archive: Carnegie International

Eric Crosby Named Director of Carnegie Museum of Art

Eric Crosby Named Director of Carnegie Museum of Art

Contact
Taia Pandolfi
Carnegie Museum of Art
pandolfit@cmoa.org
412.688.8690

Pittsburgh, PA—Carnegie Museums of Pittsburgh announced today that Eric Crosby has been appointed The Henry J. Heinz II Director of Carnegie Museum of Art. Previously the Richard Armstrong Senior Curator of Modern and Contemporary Art, Crosby became the museum’s acting director in January 2019. He will assume his role as director starting March 1.

“Eric has a deep commitment to the mission of Carnegie Museums and a clear understanding of what it will take to build on the distinctive strengths of Carnegie Museum of Art,” said Steven Knapp, president and CEO of Carnegie Museums of Pittsburgh. “He was widely recognized as a creative and insightful curator before becoming acting director, and over the past year he has proven his ability to lead the museum’s talented staff as they lay the groundwork for the museum’s future. I look forward to supporting his efforts and benefiting from his advice in the months and years to come.”

Since joining the museum in 2015, Crosby has organized a number of significant exhibitions, including 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, a collaborative group exhibition that considered the state of American identity and politics through the lenses of two major museum collections in dialogue. Crosby has also managed the museum’s Forum series, which presents the work of emerging and established artists, most recently Ruth Root, Ian Cheng, Michael Williams, and Alison Knowles.

Prior to the opening of the 2018 Carnegie International, Crosby oversaw a complete transformation of the museum’s postwar and contemporary galleries. Crossroads: 1945 to Now mines the depth and diversity of the collection by illuminating the critical role of the artist in everyday life. His curatorial work has left an indelible mark on the museum’s collection through a series of celebrated acquisitions, such as Kerry James Marshall’s Untitled (Gallery) (2016), Joan Brown’s The Room, Part 1 (1975), and major works from the 2018 Carnegie International, including works by the British painter Lynette Yiadom-Boakye, the interdisciplinary collective Postcommodity, and Pittsburgh sculptor Thaddeus Mosley. In his role as acting director since early 2019, Crosby has been instrumental in reimagining the museum’s artistic program, in particular as the museum prepares for the next iteration of the Carnegie International, which will launch in 2022.

“I am deeply honored to take on the permanent role of director at Carnegie Museum of Art,” said Crosby. “For nearly 125 years, the museum has presented significant artworks from across the globe and inspired visitors through its exhibitions and collections as well as through the Carnegie International, the oldest and most prestigious survey of contemporary art in the United States. In this new chapter, I will continue to champion curatorial projects and educational initiatives that provoke critical conversations about our world and respond to the key social issues of our time, driving forward our team’s desire to redefine the role of art museums in the 21st century.”

“Eric has such passion for the museum, the city of Pittsburgh, and the greater arts community,” said Ellen Kessler, a Carnegie Museums life trustee and chair of the Carnegie Museum of Art Advisory Board. “He has proven to be an inspiring and engaging leader, and our advisory board is excited to continue working with and supporting Eric and his team as they lead the museum forward.”

Prior to joining Carnegie Museum of Art in 2015, Crosby was associate curator of visual arts at the Walker Art Center in Minneapolis, Minnesota. He received his BA from Wesleyan University in Middletown, Connecticut, and an MA from the University of Wisconsin–Madison.

Support

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Mission

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

Carnegie Museum of Art Hires New Department Heads in Advance of 125th Anniversary and 58th Carnegie International

Carnegie Museum of Art Appoints Four New Department Heads in Advance of 125th Anniversary and 58th Carnegie International

Contact
Taia Pandolfi
Carnegie Museum of Art
pandolfit@cmoa.org
412.688.8690

Pittsburgh, PA—Carnegie Museum of Art (CMOA) announces four new additions to the museum’s senior leadership team: Chris Fry as Director of Finance, Stefanie Mohr as Director of Marketing & Engagement, Clarissa Morales as Director of Collections & Exhibitions Management, and Jason Segreti as Director of Visitor Services. These four appointments underscore a pivotal time for the museum, as it prepares to celebrate the 125th anniversary of the Carnegie Museums of Pittsburgh later this year and produce the next iteration of the Carnegie International, the oldest exhibition of international contemporary art in North America, in 2022.

“It’s an exciting time to have Chris, Stefanie, Clarissa, and Jason join our senior leadership team at the museum,” explains Eric Crosby, The Henry J. Heinz II Acting Director and Richard Armstrong Senior Curator of Modern & Contemporary Art. “They are accomplished professionals in their respective areas of expertise and trusted, strategic leaders. As we look to the future of the museum, including the milestone moments we have ahead of us, their diverse experience and their passion for our mission will be instrumental. I’m thrilled to welcome them to the staff.”

A man wearing a blue suit and glasss smiles with crossed arms

Director of Finance Chris Fry. Photo: Bryan Conley


Director of Finance Chris Fry most recently served as the Senior Financial Analyst at Management Science Associates and has over 15 years of financial planning and budgeting experience in a variety of industries. Fry also serves as treasurer of the board of directors for Pittsburgh Center for Arts and Media. As Director of Finance for CMOA, he is responsible for fiscal management of the museum and serves as a critical link between the museum and the Carnegie Museums of Pittsburgh financial team. Fry holds a bachelor of arts in business management from Asbury University in Kentucky.

A woman with shoulder-length hair and pink lipstick smiles

Director of Marketing & Engagement Stefanie Mohr. Photo: Bryan Conley


Director of Marketing & Engagement Stefanie Mohr most recently served as Assistant Vice President, Head of Corporate Communications for the Consumer Products Division at L’Oréal in New York City. Prior to her work at L’Oréal, Mohr worked for Glamour Magazine, Target, and The Estee Lauder Companies, Inc. in a variety of brand and corporate marketing and communications roles. As Director of Marketing & Engagement, Mohr plays a central role in managing the museum’s audience outreach efforts, including public relations, social media, advertising, and community engagement opportunities. Mohr, who grew up in Pittsburgh, holds an MBA from Fordham University as well as a BA in business and a BM in Music Theatre from Baldwin-Wallace University.

A woman wearing a suit jacket and red lipstick smiles in front of a colorful artwork

Director of Exhibitions and Collections Management Clarissa Morales


Director of Collections & Exhibitions Management Clarissa Morales joins the museum from the Cantor Arts Center at Stanford University in California where she served as Director of Collections, Conservation, & Exhibitions. Prior to her time at the Cantor, Morales served as Exhibition Project Manager at San Francisco Museum of Modern Art where she was instrumental in managing the reinstallation of the museum’s new facility in 2016. She also brings prior experience from the Museum of Contemporary Art, Los Angeles, and Los Angeles County Museum of Art to her role at Carnegie Museum of Art. She holds a BA in philosophy with a minor in art history from California Polytechnic State University, San Luis Obispo.

A man wearing a dark blue suit and a beard smiles with his arms crossed

Director of Visitor Services Jason Segreti. Photo: Bryan Conley


Director of Visitor Services Jason Segreti has worked within the Carnegie Museum of Pittsburgh organization for more than 15 years. He most recently served as Manager of Museum Services and has also held roles on the security team, where he was responsible for training, overseeing, and scheduling security officers in the Oakland building and served as a first responder to medical emergencies. Segreti is a Pittsburgh native and holds a bachelor of science in business administration from the University of Pittsburgh.


Support

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Mission

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. The museum champions creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

57th Carnegie International Closes with High Attendance and New Acquisitions for Carnegie Museum of Art

Contact
Taia Pandolfi
Carnegie Museum of Art
pandolfit@cmoa.org
412.688.8690

Pittsburgh, PA—Monday, March 25th marked the final day of Carnegie International, 57th Edition, 2018, which opened October 13, 2018. Planning is already under way for the next iteration in 2022 of Carnegie Museum of Art’s signature exhibition.

Over 206,000 visitors traveled from near and far for museum joy and to experience the work of 32 artists and collectives from around the globe. Sixteen nations were represented by affiliations of residency and birth, including Bahamas, Cherokee Nation, Navajo Nation, Nonuya Nation, Palestine, Scotland, Senegal, and Vietnam. Pittsburgh was well represented as an international site of creativity. This biennial-form exhibition significantly tipped a gender balance with 21 of the 41 individual participants identifying by the pronoun “she.”

A building with neon names surrounding the top.

Tavares Strachan, The Encyclopaedia of Invisibility, 2018, Carnegie International. Photo: Bryan Conley.

“Designed to be simultaneously accessible and complex, this was a highly-crafted curatorial project,” says curator Ingrid Schaffner, who began work in summer 2015. “The 57th Carnegie International was catalyzed by three years of public programs—including 35 drawing sessions and a community-wide research of keyword ‘international.’ It culminated in an exhibition that will endure through its Guide and Dispatch publications and continue to ripple in affinities and connections seeded along the way.”

One work in the International was timed to end with the closing day: Fruit and Other Things by Lenka Clayton and Jon Rubin. Throughout the 190-day run of the exhibition, painters have been at work turning 10,632 titles of rejected works of art from the early history of the International into paintings on paper for visitors to take home. (See fruitandotherthings.com.) On Monday, March 25, at 4:48 p.m., the final title was completed: Zinnias.

An overhead shot of a building with trees and tiny cars next to it.

Leslie Hewitt, Anatomy of a Flower, 2018, Carnegie International. Courtesy the artist.

The 57th International immediately impacts Carnegie Museum of Art’s collection with substantial acquisitions of works by artists in the exhibition. The museum will continue acquiring works through the summer.

“Acquiring works from the International is a tradition that defines our museum collection. The acquisitions offer a holistic look at Schaffner’s International, including a major painting by Carnegie Prize-winner Lynette Yiadom-Boakye, video installations by Alex Da Corte and Rachel Rose, and a site-specific sound work by Park McArthur,” remarked Eric Crosby, the Henry J. Heinz II Acting Co-Director and Richard Armstrong Senior Curator of Modern and Contemporary Art. “When all is said and done, 70 percent of the artist participants will be represented in the museum’s collection.”


Support

Carnegie International, 57th Edition, 2018 is presented by Bank of America. Major support has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Mission

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

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Museum Joy: Carnegie International Announces Closing Weekend Programs

CONTACT
Taia Pandolfi Carnegie Museum of Art
pandolfit@cmoa.org
412.688.8690

Pittsburgh, PA—Museum joy may be everlasting, but the 57th Carnegie International is not. From now until March 25, Carnegie Museum of Art’s signature exhibition is alive with artist talks, creative drawing sessions (Kerry James Marshall conducts a sold-out session on March 7), and daily gallery activations. A celebratory weekend of events will mark the closing of Carnegie International, 57th Edition, 2018.

A gallery view of colorful, geometric works of art.

Installation view of Sarah Crowner, Sliced Tropics, 2018, and Wall (Wavy Arrow Terracotta), 2018, and Ulrike Müller, Wraps and rugs (con zapatos), 2018, Carnegie International, Carnegie Museum of Art. Courtesy the artists. Photo: Bryan Conley.

Curator Ingrid Schaffner calls this iteration “an intensely crafted curatorial project” and offers the expansive concept of “shifting terrain” for apprehending forces that are shaping global culture today. The International invites visitors—Guide publication in hand—to explore the immense Carnegie Museum as both context and content for a series of encounters with the contemporary.

The finale brings “A Night of Deep Listening“—a musical synthesis of Josiah McElheny’s collaboration with John Corbett and Jim Dempsey—with performances by Joe McPhee, Claire Chase, and Peter Evans. This concert is part of a roster of closing events that begins Thursday, March 21, with a book signing for the catalogue Dispatch, which contains Leslie Hewitt’s commissioned work, Anatomy of a Flower.

Finale Schedule

Thursday, March 21

The galleries are open until 11 p.m. for Third Thursday—the museum’s monthly late-night revel with a community partner—featuring music curated by girlFX and Carnegie International events.

Clay sculptures next to a screen showing a model walking down a runway.

Installation view of Beverly Semmes, FRP Arcade, 2018, Carnegie International, Carnegie Museum of Art. Courtesy the artist, Susan Inglett Gallery, Shoshana Wayne Gallery, Debra and Barry Campbell, Judi Roaman and Carla Chammas, and Nancy Lorez and Doug Schwalbe. Photo: Bryan Conley.

Step-and-Repeat. Pose with a handbag sculpture against a publicity backdrop for a portrait styled by CarWash Collective (Beverly Semmes’s collaboration with fashion designer Jennifer Minniti) and featuring Latika Ann.

Book signing. The catalogue publication Dispatch documents the exhibition and contains artist Leslie Hewitt’s contribution to the International.

Friday, March 22

Spotlights. Drop in at any point throughout the day for short in-gallery talks by curators from across Carnegie Museums who will share insights, interpretations, and appreciations.

Saturday, March 23

10 a.m.–12:30 p.m.
Symposium. Attend presentations by University of Pittsburgh students on the Carnegie International and a keynote conversation by curator Ingrid Schaffner and janera solomon, executive director, Kelly Strayhorn Theater.

2–4 p.m.
Creative Drawing Session. Design a handmade album cover with Josiah McElheny, John Corbett, and Jim Dempsey, following a tour of their installation Dusty Groove II: Space Is a Diamond.

Gallery view of two album covers and a glass trumpet.

Installation view of Josiah McElheny, with John Corbett and Jim Dempsey, Dusty Groove II: Space Is a Diamond, 2018, Carnegie International, Carnegie Museum of Art. Photo: Bryan Conley.

6–8 p.m.
FEAST. Eat pierogi and other Pittsburgh fare, washed down with local brews.

8 p.m.
Sound Series: A Night of Deep Listening is a musical synthesis of the installation Dusty Groove II: Space Is a Diamond that brings together three giants of contemporary music Joe McPhee, Claire Chase, and Peter Evans. Co-presented with The Andy Warhol Museum.

Sunday, March 24, 2 p.m. & Monday, March 25, 11 a.m.
Last chances to see Tacita Dean’s film Event for a Stage in Carnegie Music Hall.

Monday, March 25
Final day of the exhibition.

Ongoing Carnegie International Programs

Check the website for artist talks, creative drawing sessions, film screenings, and a steady beat of in-gallery activations. Musicians continue their interpretations of From Smoke and Tangled Waters We Carried Fire Home, Postcommodity’s monumental installation of glass, steel, and coal. Painters keep producing Lenka Clayton and Jon Rubin’s Fruit and Other Things. Under a canopy of kites painted by Joan Jonas, Vietnamese coffee is served daily in Art Labor’s hammock café. Tavares Strachan delivers the final artist talk in the lecture series co-hosted with Carnegie Mellon University’s School of Art, March 26, 6:30 p.m.

To learn more about this Carnegie International, please see our past press announcements.

Gallery view of hammocks underneath a ceiling filled with colorful painted kites.

Installation view of Art Labor and Joan Jonas, Art Labor Hammock Café, 2016–present, and Drawn on the Wind, 2018, Carnegie International, Carnegie Museum of Art. Courtesy the artists. Photo: Bryan Conley.


Support

Carnegie International, 57th Edition, 2018 is presented by Bank of America. Major support has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.


Our Mission

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another.
We believe creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences.

Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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Carnegie Museum of Art Announces Exhibitions and Programming for January–June

Contact
Emily Willson
Carnegie Museum of Art
willsone@cmoa.org
412.622.3328

Pittsburgh, PA (January 9, 2019) Carnegie Museum of Art (CMOA) announces four new exhibitions, dynamic social programming, and engaging educational opportunities for 2019. The exhibitions represent a wide range of artistic styles and periods, from decorative arts and design and contemporary art to classic Impressionism favorites.

“I’m proud of the variety this year,” says Henry H.J. Heinz II Acting Co-Director Catherine Evans. “They show the dynamic and varied experiences you can have at a museum—from seeing Ruth Root’s fabulous patterns to studying the serial painting techniques of Monet to learning about the latest breakthroughs in accessibility design. Museums should be a place for discovery and inspiration, and I think 2019 embodies that spirit.”

New Exhibitions

Ruth Root

April 19–August 25
Forum Gallery

The 81st installment of CMOA’s Forum series will debut a new body of work by acclaimed New York–based painter Ruth Root. For the last two decades, Root has fashioned unruly paintings that push the boundaries of the medium and delight in the pleasures of pattern and shape. For this new series, curator Eric Crosby invited Root to mine CMOA’s collection of artworks and design objects as inspiration for her digitally printed fabrics, which suspend irregular sheets of painted plastic. Through a visual dialogue with the museum’s collection, her eye-popping works personify the wonder of painting.

Ruth Root, digital fabric design for Untitled, 2017; Image courtesy the artist and Andrew Kreps Gallery, New York.

Ruth Root, digital fabric design for Untitled, 2017; Image courtesy the artist and Andrew Kreps Gallery, New York.

Influencers: The Pritzker Architecture Prize

May 4–September 2
Heinz Architectural Center

Since its establishment in 1979, the Pritzker Architecture Prize has become the most esteemed prize in architecture worldwide; awarded to individual architects for their total body of work, the Pritzker is frequently referred to as the Nobel Prize for Architecture. To mark the prize’s 40th anniversary, Raymund Ryan, curator, Heinz Architectural Center, presents work from the museum’s collection done by Pritzker laureates. Bolstered by several recent acquisitions, these drawings, models, furniture, and photographs are presented in collaboration with the annual summer camp to stimulate the imaginations of museum visitors and camp participants alike.

Hans Hollein, Stadtstruktur (City Structure), 1959, ink on paper, Carnegie Museum of Art. Gift of the Drue Heinz Trust. 2018.23.

Hans Hollein, Stadtstruktur (City Structure), 1959, ink on paper, Carnegie Museum of Art. Gift of the Drue Heinz Trust. 2018.23.

Monet and the Modern City

May 25–September 2
Gallery One

Monet and his contemporaries responded to the urban industrial landscape through works that convey the power and promise of modernization. Organized by curator Akemi May, this exhibition contextualizes Monet’s famous Waterloo Bridge series with other artists’ work from the time, exploring Monet’s process of serial painting and the enduring theme of industry in art. Carnegie Museum of Art’s own Waterloo Bridge painting is presented alongside two others from the series, thanks to the Memorial Art Gallery of the University of Rochester and the Worcester Art Museum, and captures the range of moods and colors that serial painting can produce. Other notable works include pieces by Camille Pissarro, Jean-Emile Laboureur, and James Abbott McNeill Whistler, which provide a broader frame of reference for the urban industrial landscape as subject.

Claude Monet, Waterloo Bridge, London, 1903, Carnegie Museum of Art. Acquired through the generosity of the Sarah Mellon Scaife Family. 67.2

Claude Monet, Waterloo Bridge, London, 1903, Carnegie Museum of Art.
Acquired through the generosity of the Sarah Mellon Scaife Family. 67.2

Access+Ability

June 1–October 6, 2019
Heinz Galleries

Access+Ability highlights some of the extraordinary research and designs developed during the past decade with and by people who span a wide range of physical, cognitive, and sensory abilities. Fueled by demand and advances in research and digital technologies, a proliferation of functional, life-enhancing products is creating unprecedented access. Low-tech designs that assist with daily routines, digital technology like eye-tracking devices for communicating and editing, and sensors that stabilize tremors associated with Parkinson’s disease, plus innovations in all-terrain wheelchairs, are augmenting the potential for people to access the world in ways previously unimaginable. These objects—some of which are still in prototype stage, and many of which are available commercially—represent the future of accessibility design.

Access+Ability was organized by Cooper Hewitt, Smithsonian Design Museum. The CMOA presentation of Access+Ability is organized by Rachel Delphia, the Alan G. and Jane A. Lehman Curator of Decorative Arts and Design.

Earring Aid, Bedazzled, 2014. Designed by Elana Langer. Swarovski crystals, e6000 glue, hearing aid. Gift of Elana Langer. Photo: © Hanna Agar.

Earring Aid, Bedazzled, 2014. Designed by Elana Langer. Swarovski crystals, e6000 glue, hearing aid. Gift of Elana Langer. Photo: © Hanna Agar.

Ongoing and Educational

Carnegie International, 57th Edition, 2018.

Open through March 25
Presented by Bank of America

The second-oldest exhibition of global art, the Carnegie International opened with excitement in October of last year. This sprawling show, which permeates the museum’s exhibition spaces and reaches into its collection galleries, sees its final three months arrive with a variety of activities: visiting artist lectures by Jeremy Deller, Ulrike Müller, and Thaddeus Mosley; a Tam O’Shanter Drawing Session with Beverly Semmes; a Sound Series concert produced by Josiah McElheny, John Corbett, and Jim Dempsey with the Andy Warhol Museum; and drawing sessions with Yuji Agematsu and Tavares Strachan. See the works of Carnegie Prize–winner Lynette Yiadom-Boakye and Fine Prize–winners Postcommodity before the exhibition closes in March.

Social Programs

Ongoing

People engage with art on many levels. The social programming at CMOA aims to bring new faces into the museum and create opportunities for discovery and inspiration. These programs range from the FEAST dinner series—which pairs a local chef with a theme from the Carnegie International for a unique dining experience—to monthly Third Thursday, a themed 18+ event that invites local artists and vendors to create programming relevant to the current exhibitions. An important piece of the museum’s mission of connecting people to art, ideas, and one another, social programs offer an avenue to build engagement and respond to the community.

Summer Camps

June 10–August 16

Following a winter and spring of educational programming, including the exhibition of work by students from The Art Connection, the museum will launch a full calendar of summer camps. Camps offer a unique opportunity to dive deeper into all aspects of art-making, creativity, and collaboration through week-long programs. As part of the museum’s ongoing mission of educating and inspiring, summer camps provide the structure and materials for young people to engage their own creative process. Using the museum’s collection as a resource, campers of all levels and abilities explore through classic and modern art techniques, styles, and practices.


Our Mission

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another.
We believe creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences.

Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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