Media Archive: Carnegie International

Programming Brings Carnegie International to Life

Contact

Jonathan Gaugler
gauglerj@cmoa.org
412.688.8690 / 412.216.7909

Jennifer Joy
jennifer@suttonpr.com
212.202.3402

A bounty of dynamic programming will animate the Carnegie International, helping visitors connect to the exhibition in many and diverse ways as it unfurls between October and March.

Carnegie International: October 13, 2018–March 25, 2019
Presented by Bank of America

Press & VIP Preview Day: October 12, 2018
To register for press preview accreditation, please fill out our application form.

Pittsburgh, PA… Film screenings, music performances, in-gallery coffee service, a ballet collage, themed FEASTs by local chefs, artist lectures, improvisational drawing sessions, and more: an expansive, well-balanced series of public programs activate Carnegie International, 57th Edition, 2018. The programming offers myriad points of entry for different audiences, and many opportunities for repeat visitors to experience new aspects of the show.

Artist Projects

Lenka Clayton and Jon Rubin’s busy studio will be in operation whenever the museum is open. Hard-working pairs will create text-based paintings of the titles of works rejected from early Internationals, which visitors can select to take home.

Other recurring programs will take place at specific times. Tacita Dean’s Event for a Stage—a seamlessly edited 16mm film of four performances by actor Stephen Dillane—will screen Mondays at 11 a.m. Kevin Jerome Everson will supplement his eight-hour film portrait of a factory with Thursday evening screenings of short films. Local jazz musicians will interpret Postcommodity’s monumental installation as a graphic score, Thursday through Sunday at 1 p.m. Art Labor’s coffee service—Wednesday through Monday from 11 a.m. to 1 p.m.—will make a visit to their Hammock Café that much more stimulating.

Some International artists will present one-time-only programs. Sculptor Josiah McElheney is organizing a day of “deep listening” in homage to composer Pauline Oliveros, who pioneered the technique of actively opening the ears to the sounds of the world. Celebrated jazz trumpet player Joe McPhee and others will improvise as they “listen” to the work in the gallery, followed by an evening concert. Date TBD.

Jeremy Deller will visit Pittsburgh in February for a week of art classes with elementary school students. Emphasizing the artist’s role as a historian of their time, the program will culminate in a weekend-long exhibition in the Hall of Architecture, where visitors can get a glimpse of America through children’s eyes. Drawings will be on exhibit February 2–3, 2019.

Opening weekend, October 13–14, will brim with events, including a collage of ballet scenes, composed by Karen Kilimnik, performed by students from the Pittsburgh Ballet Theatre School. Tavares Strachan’s electric contribution to the International will be revealed. There will be several screenings of Tacita Dean’s film in the Music Hall, where on Saturday afternoon, Lynette Yiadom-Boakye will lead the public in a lively drawing session accompanied by flamenco music and dancers.

Curatorial Projects

The International’s Cinematheque series presents four Saturdays of film screenings, each unraveling one of the exhibition’s interpretive threads. A matinee program of films for kids is followed by tea and cookies in the café. An evening program for adults is followed by FEAST with a local chef. Cinematheque brings a range of visions and perspectives into the museum’s theater.

Nov. 10: BEAUTY
Dec. 1:  POLITICS
Jan. 26: CHILDREN
Feb. 23: SOUND

Tam O’Shanter Drawing Sessions take inspiration from Carnegie Museum of Art’s long tradition of free public art classes of the same name. With the goal of building creative community through improvisational acts of drawing, each session is dreamed up by an International artist or organizer, guided by their own particular passions and processes. From a star-gazer’s night of sketching in the observatory, to a zine-making workshop, to an afternoon of drawing while listening to a sculptor’s jazz playlist, these sessions offer singular opportunities to learn and create.

Carnegie International curator Ingrid Schaffner’s annual lecture is a fast-paced deep-dive into the big question What Is Contemporary? On November 8, her culminating version of this lecture will focus on the exhibition she has been working on for more than three years!

Collaborations with Local Institutions

October 20: The Kelly Strayhorn Theater and Carnegie Museum of Art will celebrate the Pittsburgh arts organizations and individuals who received micro-grants through KEYWORD: INTERNATIONAL—from FashionAFRICANA and Fairy Fantastic! to the Braddock Community Oven and Working-Class Media Project. Charged with conducting creative research that explores the meaning of “international,” the awardees will report their findings at a lively public forum at the Kelly Strayhorn Theater.

November 1: College and university students, faculty, and staff are invited to the museum for the International’s much anticipated University Night led by Postcommodity’s Cristóbal Martínez and Kade Twist. Teachers as well as artists, the pair will bring students from San Francisco Art Institute and Otis College of Art and Design to animate an evening of conversation, performance, drawing, conviviality, and snacks.

Winter Holiday Season: Since 1961 the Women’s Committee of Carnegie Museum of Art has erected and decorated five magnificent trees in the Hall of Architecture. This year’s decorations are inspired by themes suggested by International artist Karen Kilimnik: tartans, bows, gingerbread, and more.

September–March: The International teams up with our neighbor, Carnegie Mellon University, to present an Artist Lecture Series. International artists will give public talks about their ideas and processes at CMU.

With the spring schedule to be announced, the fall schedule is as follows:

  • Sep. 18: Rachel Rose
  • Oct. 2:  Saba Innab
  • Oct. 9:   Zoe Leonard with Rhea Anastas
  • Oct. 23:  Alex Da Corte
  • Oct. 30:  Lenka Clayton and Jon Rubin
  • Nov. 27:  Jessi Reaves

Enrichment in the Galleries

The International offers a diverse range of in-gallery interpretation. Daily docent tours and gallery ambassadors give insights into the exhibition. In the Moment tours are unique opportunities for people with Alzheimer’s and dementia and their care partners. Tours for visitors who are deaf and hard of hearing and tours for visitors who are blind and partially-sighted are offered for the International.

Specialized enrichment will be provided by students in a unique museum studies course at the University of Pittsburgh, co-taught by International associate curator Liz Park and Erin Peters of Carnegie Museum of Natural History and University of Pittsburgh. Small groups of Inside the Carnegie International students will conduct “field work” in the galleries, soliciting the ideas and impressions of members of the public while sharing their own evolving understanding of the exhibition, its artists, and the legacy of the International.

Organize Your Own Experience

With so many unmissable programs, visitors may want to strategize. Take a Monday morning to watch Tacita Dean’s Event for a Stage, or organize a group of friends to attend a Cinematheque screening and FEAST. Hear your favorite artists speak and draw with them at a Tam Session. Mark November 8 on your calendar to hear curator Ingrid Schaffner talk about the show. Revel in the excitement of Opening Weekend—and stay tuned to hear what’s planned for Closing Weekend next March! With such a vast menu of experiences on offer, a single visit is bound to feel insufficient. We hope many people will visit and re-visit the exhibition, anticipating particular pleasures and stumbling upon unexpected delights.

Support
Carnegie International, 57th Edition, 2018 is presented by Bank of America. Major support has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

Carnegie International Highlights Five Projects

CONTACT
Jonathan Gaugler
gauglerj@cmoa.org
412.688.8690 / 412.216.7909

Shawna Gallancy
shawna@suttonpr.com
212.202.3402

New Works by Artists Across the Globe from Ho Chi Minh City to the American Southwest to Pittsburgh

Carnegie International: October 13 – March 25, 2019
Press & VIP Preview Day: October 12, 2018

Press & VIP accreditation now open.

Please visit our press resources for images and further information.

Pittsburgh, PA (June 21, 2018) The opening of Carnegie International, 57th Edition, 2018 is four months out, and 32 artists and artist collectives are busy composing and constructing their contributions in time for the October 13 opening. Carnegie Museum of Art (CMOA) is pleased to preview five works in progress that represent the expansiveness and particularity of the exhibition to come.

Zoe Leonard, 'Prologue: El Rio / The River,' 2018, C-prints. © Zoe Leonard, Courtesy the artist, Hauser & Wirth and Galerie Gisela Capitain, Cologne.

Zoe Leonard, ‘Prologue: El Rio / The River,’ 2018, C-prints. © Zoe Leonard, Courtesy the artist, Hauser & Wirth and Galerie Gisela Capitain, Cologne.

Continue reading

Carnegie International, 57th Edition, 2018

Artists Announced for Carnegie International, 57th Edition, 2018

FOR IMMEDIATE RELEASE

April 11, 2018

Contacts
Jonathan Gaugler
Carnegie Museum of Art
gauglerj@cmoa.org
412.688.8690

Shawna Gallancy
SUTTON
shawna@suttonpr.com
212.202.3402

Pittsburgh, PA…Curator Ingrid Schaffner announced today the artists in Carnegie International, 57th Edition, 2018 which runs October 13, 2018–March 25, 2019 at Carnegie Museum of Art. Established in 1896, the Carnegie International exhibitions have built a rich history of introducing audiences to contemporary art from around the world. The 2018 Carnegie International will feature:

Yuji Agematsu
El Anatsui
Art Labor with Joan Jonas
Huma Bhabha
Mel Bochner
Mimi Cherono Ng’ok
Lenka Clayton and Jon Rubin
Sarah Crowner
Alex Da Corte
Tacita Dean
Jeremy Deller
Kevin Jerome Everson
Han Kang and IM Heung-soon
Leslie Hewitt
Saba Innab
Karen Kilimnik
Zoe Leonard
Kerry James Marshall
Park McArthur
Josiah McElheny with John Corbett and Jim Dempsey
Ulrike Müller
Thaddeus Mosley
The Otolith Group
Postcommodity
Jessi Reaves
Abel Rodriguez
Rachel Rose
Beverly Semmes
Dayanita Singh
Lucy Skaer
Tavares Strachan
Lynette Yiadom-Boakye
and
“Dig Where You Stand,” by independent exhibition maker Koyo Kouoh

With 32 artists and artist collectives, the exhibition invites visitors to explore what it means to be “international” at this moment in time, and to experience museum joy. The pleasure of being with art and other people is integral to the composition of this International—a series of encounters with contemporary art inside the world of the Carnegie Museum. Among the new and ambitious projects are: an unprecedented collaboration between novelist Han Kang and filmmaker IM Heung-soon; an exhibition-within-the-exhibition curated by Koyo Kouoh that draws from the museum’s collection; and an interpretation of rejected works from the history of the Carnegie International by Lenka Clayton and Jon Rubin. Other components of the International include a mapping of Pittsburgh through photography in the museum’s Teenie Harris Archive, one of the most detailed and intimate records of the black urban experience, and the Cinémathèque series of film screenings. The 57th edition also builds upon a long legacy of research and collecting by Carnegie Museum of Art.

The 57th Carnegie International artists include:
1 independent exhibition-maker
6 art collectives and collaborators
13 individual artists who use the pronoun “he”
18 individual artists who use the pronoun “she”
20 artists who live in the US
3 artists who live in Asia
5 artists who live in Europe
2 artists who live in Africa
1 artist who lives in South America
1 artist who lives in the Middle East

National affiliations by residence and birth: Austria, Bahamas, Cameroon, Cherokee Nation, Colombia, England, Germany, Ghana, India, Japan, Jordan, Kenya, Korea, Kuwait, Lebanon, Navajo Nation, Nigeria, Nonuya Nation, Pakistan, Palestine, Scotland, Senegal, Switzerland, United States of America, and Vietnam.

Programming
The International is already underway with an array of programs and publications. The ongoing Tam O’Shanter Drawing Sessions, conducted by artists and other participants in the exhibition, welcome the public to explore contemporary art through drawing, mapping, writing, doodling, and other improvisations. Past sessions have been led by Schaffner, Art Labor, Maira Kalman, Prem Krishnamurthy, Thaddeus Mosley, and Dayanita Singh. They will continue, from this weekend’s zine-making workshop by Mimi Cherono Ng’ok, through the run of the exhibition.

In addition, the International has launched KEYWORD: INTERNATIONAL, a catalyst for creative research and conversation in collaboration with the Kelly Strayhorn Theater. Twenty arts activators will receive micro-grants to support research projects that define Pittsburgh as an international city. On October 20, 2018, fellows will present their findings during a daylong symposium that will be published in the exhibition’s catalogue.

For more information on public programs please see: https://2018.carnegieinternational.org/programs/

The Curator
Curator Ingrid Schaffner and Associate Curator Liz Park are available for interview. Schaffner’s process started with a series of research trips with five curator colleagues as her traveling and thinking Companions: Magalí Arriola, Doryun Chong, Ruba Katrib, Carin Kuoni, and Bisi Silva. Each Companion traveled with Schaffner to places new to both of them. This research shaped not only Schaffner’s work on the International, but also the Companion’s work in the field at large. A series of Travelogues published on the International’s website offers a window into this process: https://blog.cmoa.org/tag/the-travelogue-series/.

Support
Major support for Carnegie International, 57th Edition, 2018 has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

Carnegie Museum of Art Announces the participation of Koyo Kouoh in the Carnegie Int’l, 57th ed., 2018

 CONTACTS:

Justin Conner
Justin@hellothirdeye.com
917.609.8499

Jonathan Gaugler
gauglerj@cmoa.org
412.688.8690 / 412.216.7909

Overseen by curator Ingrid Schaffner, the Carnegie International is happening now! This month, Koyo Kouoh will present a Special Topics seminar at the University of Pittsburgh to develop “Dig Where You Stand,” an exhibition-within-an-exhibition for the International.


Koyo

Pittsburgh, PA…Carnegie Museum of Art (CMOA) and the University of Pittsburgh (Pitt) welcome Koyo Kouoh to Pittsburgh. Kouoh is the founding director of RAW Material Company, a center for art, knowledge and society, based in Dakar, Senegal. Starting with a public lecture on January 25th, Kouoh will spend two weeks as a visiting scholar at Pitt while conducting research for her contribution to the 2018 Carnegie International. “Dig Where You Stand” will present a range of objects selected by Kouoh from across the museum’s collections to reflect on the institution, its history, and coloniality— a contemporary interrogation of which has long guided Kouoh’s work.

“I think of this participation as a conversation between two curators—Ingrid and I—within an institution that has a long-standing history of an exhibition series that is a site of global artistic exchanges. I see this current moment with its political backdrop as an opportunity to have urgent conversations about living in a state of coloniality,” says Kouoh.

To introduce Kouoh’s work to the Pittsburgh community, Institution Building as Curatorial Practice, a free public lecture took place on January 25 at 6:00pm at the Frick Fine Arts Auditorium at the University of Pittsburgh. More information can be found here.

Koyo Kouoh is the founding artistic director of RAW Material Company, a center for art, knowledge and society in Dakar, Senegal. She was the curator of  1:54 FORUM, the educational program at the Contemporary African Art Fair in London and New York. She served on the curatorial teams for documenta 12 (2007) and documenta 13 (2012). She most recently launched RAW Académie, an experimental program for artistic thought and curatorial inquiry in Dakar. Besides sustaining theoretical, exhibition, and residency programs at RAW Material Company, she is active internationally as a curator and advisor. She lives and works in Dakar and Basel.

Curated by Ingrid Schaffner, the Carnegie Int’l, 57th ed., 2018 hosted five research trips and research companions in a year of travel leading up to the exhibition. Read more about the research travel here. It was while traveling in West Africa for the Dakar Biennial with Carin Kuoni, Director, The Vera List Center for Art and Politics, The New School, New York, that Schaffner was introduced to Raw Material Company. Of her subsequent invitation to Kouoh to participate in the International, Schaffner says:

“Of the brilliant artists, curators, and teachers who are showing us new ways of seeing history’s narratives and being citizens in the world today, Koyo Kouoh is a leader. What she is doing at Raw Material Company in Dakar models the vital role that cultural institutions everywhere can and must play in shaping civil societies and imagining just futures.”
As a visiting scholar at Pitt, Kouoh will be a graduate seminar guest lecturer. The seminar, taught by Assistant Professor Jennifer Josten, will grant students special insight into Kouoh’s curatorial process for the International. They will learn about the rise of new methodologies of cultural self-representation; consider how museum collections are built; and learn how contemporary presentations and interpretations can add layers or reveal new perspectives.

About the 57th Carnegie International
The International will open on October 13, 2018 and run through March 25, 2019. However, the International is already under way, with expanding research and creative documentation along with a highly crafted curatorial process, public programs, commissioned essays, and immersive site visits.

As the International evolves, stay tuned for news of more artist projects, Tam O’Shanter Drawing Sessions, Travelogues, and other public programs on cmoa.org and cmoa.org/carnegieintl.

Established in 1896 as the Annual Exhibition, the Carnegie International initially focused almost solely on painting. By 1955, the show had adopted a triennial schedule and, in 1958, it became known as the Pittsburgh International Exhibition of Contemporary Paintings and Sculpture, a title it retained until 1970. After an interruption in the 1970s, the exhibition resumed in 1977 and 1979 as the International series, single-artist shows intended as a parallel to the Nobel Prize for the arts. In 1982, it reappeared as the Carnegie International, and has been mounted every three to five years since. After the Venice Biennale, the Carnegie International is the oldest international survey exhibition in the world.

Support
Major support for the Carnegie International, 57th Edition, 2018 has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

 Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, call 412.622.3131 or visit cmoa.org.