Media Archive: 2018 Exhibitions

Carnegie Museum of Art Announces the Opening Date of the 57th Carnegie International


September 20, 2017

Justin Conner

Jonathan Gaugler
412.688.8690 / 412.216.7909

Carnegie International to Open October 12, 2018

Programming and Artist Site Visits Happening Now

Thaddeus Mosley, Art Labor with Joan Jonas, and Mimi Cherono Ng’ok announced as participating artists

Pittsburgh, PA… Carnegie Museum of Art (CMOA) is pleased to announce that the Carnegie International, 57th edition, 2018, curated by Ingrid Schaffner, will open October 12, 2018, and run through March 25, 2019. However, the International is already under way, with expanding research and creative documentation along with a highly-crafted schedule of programs, commissioned essays, and participating artists coming to Pittsburgh for immersive visits. As part of Schaffner’s interest in making the research process accessible and evolving. New York-based design firm Project Projects has built an online portal for the International, at

The Carnegie International online portal serves as a living, accumulating document, where viewers can read Travelogues by writer and critic Emmanuel Iduma and artist Maira Kalman, based on the research trips taken by Schaffner. The Travelogues make visible the spirit of research and travel leading up to the International, inviting writers to add their own voice, interpretation, and experience to the process. Future Travelogues by Pico Iyer, among others, will be added in the coming months, each chronicling Schaffner’s travels with a curator companion to a region he or she had never visited before. The companions were Doryun Chong, Chief Curator at M+, Hong Kong; Ruba Katrib, Curator of SculptureCenter, New York; Carin Kuoni, Director of the Vera List Center for Art and Politics, The New School, New York; Bisi Silva, Founder and Artistic Director of the Centre for Contemporary Art, Lagos; and Magalí Arriola, a Mexico City-based independent curator.

“I was thinking about the Carnegie Museums’ identity as a research institute, and thought that offered a useful model,” said Schaffner. “The colleagues I traveled with are not co-curators but thinking partners. By supporting their work in the field, the International has helped build new networks of artists and curators around the world.”

Back in Pittsburgh, Tam O’Shanter Drawing Sessions have begun. In a nod to the heritage of founder Andrew Carnegie (a tam-o’-shanter is a traditional Scottish beret), CMOA has held these art classes for young people since 1929. Schaffner has retuned the format to create a programmatic thread leading up to and throughout the exhibition.  The public programs are conducted by artists and organizers of the International, who connect their work and participants through improvisational acts of drawing. Each session is unique. Skill is not required to map, mark, doodle, render, cartoon, write, or otherwise participate in these open-ended gatherings. This program underscores Schaffner’s commitment to unpacking the history of the International as an evolving exhibition concept.

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