All posts by Jonathan Gaugler, Media Relations Manager

Carnegie International, 57th Edition, 2018

Artists Announced for Carnegie International, 57th Edition, 2018

FOR IMMEDIATE RELEASE

April 11, 2018

Contacts
Jonathan Gaugler
Carnegie Museum of Art
gauglerj@cmoa.org
412.688.8690

Shawna Gallancy
SUTTON
shawna@suttonpr.com
212.202.3402

Pittsburgh, PA…Curator Ingrid Schaffner announced today the artists in Carnegie International, 57th Edition, 2018 which runs October 13, 2018–March 25, 2019 at Carnegie Museum of Art. Established in 1896, the Carnegie International exhibitions have built a rich history of introducing audiences to contemporary art from around the world. The 2018 Carnegie International will feature:

Yuji Agematsu
El Anatsui
Art Labor with Joan Jonas
Huma Bhabha
Mel Bochner
Mimi Cherono Ng’ok
Lenka Clayton and Jon Rubin
Sarah Crowner
Alex Da Corte
Tacita Dean
Jeremy Deller
Kevin Jerome Everson
Han Kang and IM Heung-soon
Leslie Hewitt
Saba Innab
Karen Kilimnik
Zoe Leonard
Kerry James Marshall
Park McArthur
Josiah McElheny with John Corbett and Jim Dempsey
Ulrike Müller
Thaddeus Mosley
The Otolith Group
Postcommodity
Jessi Reaves
Abel Rodriguez
Rachel Rose
Beverly Semmes
Dayanita Singh
Lucy Skaer
Tavares Strachan
Lynette Yiadom-Boakye
and
“Dig Where You Stand,” by independent exhibition maker Koyo Kouoh

With 32 artists and artist collectives, the exhibition invites visitors to explore what it means to be “international” at this moment in time, and to experience museum joy. The pleasure of being with art and other people is integral to the composition of this International—a series of encounters with contemporary art inside the world of the Carnegie Museum. Among the new and ambitious projects are: an unprecedented collaboration between novelist Han Kang and filmmaker IM Heung-soon; an exhibition-within-the-exhibition curated by Koyo Kouoh that draws from the museum’s collection; and an interpretation of rejected works from the history of the Carnegie International by Lenka Clayton and Jon Rubin. Other components of the International include a mapping of Pittsburgh through photography in the museum’s Teenie Harris Archive, one of the most detailed and intimate records of the black urban experience, and the Cinémathèque series of film screenings. The 57th edition also builds upon a long legacy of research and collecting by Carnegie Museum of Art.

The 57th Carnegie International artists include:
1 independent exhibition-maker
6 art collectives and collaborators
13 individual artists who use the pronoun “he”
18 individual artists who use the pronoun “she”
20 artists who live in the US
3 artists who live in Asia
5 artists who live in Europe
2 artists who live in Africa
1 artist who lives in South America
1 artist who lives in the Middle East

National affiliations by residence and birth: Austria, Bahamas, Cameroon, Cherokee Nation, Colombia, England, Germany, Ghana, India, Japan, Jordan, Kenya, Korea, Kuwait, Lebanon, Navajo Nation, Nigeria, Nonuya Nation, Pakistan, Palestine, Scotland, Senegal, Switzerland, United States of America, and Vietnam.

Programming
The International is already underway with an array of programs and publications. The ongoing Tam O’Shanter Drawing Sessions, conducted by artists and other participants in the exhibition, welcome the public to explore contemporary art through drawing, mapping, writing, doodling, and other improvisations. Past sessions have been led by Schaffner, Art Labor, Maira Kalman, Prem Krishnamurthy, Thaddeus Mosley, and Dayanita Singh. They will continue, from this weekend’s zine-making workshop by Mimi Cherono Ng’ok, through the run of the exhibition.

In addition, the International has launched KEYWORD: INTERNATIONAL, a catalyst for creative research and conversation in collaboration with the Kelly Strayhorn Theater. Twenty arts activators will receive micro-grants to support research projects that define Pittsburgh as an international city. On October 20, 2018, fellows will present their findings during a daylong symposium that will be published in the exhibition’s catalogue.

For more information on public programs please see: https://2018.carnegieinternational.org/programs/

The Curator
Curator Ingrid Schaffner and Associate Curator Liz Park are available for interview. Schaffner’s process started with a series of research trips with five curator colleagues as her traveling and thinking Companions: Magalí Arriola, Doryun Chong, Ruba Katrib, Carin Kuoni, and Bisi Silva. Each Companion traveled with Schaffner to places new to both of them. This research shaped not only Schaffner’s work on the International, but also the Companion’s work in the field at large. A series of Travelogues published on the International’s website offers a window into this process: https://blog.cmoa.org/tag/the-travelogue-series/.

Support
Major support for Carnegie International, 57th Edition, 2018 has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

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Visions of Order and Chaos Programming Includes PSO Collaboration

Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

Pittsburgh, PA…Carnegie Museum of Art announces events and programming for its upcoming exhibition, Visions of Order and Chaos: The Enlightened Eye. We are thrilled to host a series of in-gallery music events in collaboration with Pittsburgh Symphony Orchestra. These evening events pair the music and visual art of the Enlightenment, and take place three times over the course of the show.

Visions of Order and Chaos packs CMOA’s Heinz Galleries with over 200 works from its 1750–1850 holdings. Through extensive research and conservation efforts, we’re able to showcase 75% works which have never before exhibited at the museum. The exhibition shares artist’s visions of a world rapidly becoming modern, and shaped by explosive debates.

Visions of Order and Chaos: The Enlightened Eye
March 3–June 24, 2018
Heinz Galleries, Carnegie Museum of Art

Ary Scheffer, 'Dante and Virgil Encountering the Shades of Francesca da Rimini and Paolo Malatesta in the Underworld,' 1851, oil on canvas, Heinz Family Fund and Anonymous gift

Ary Scheffer, ‘Dante and Virgil Encountering the Shades of Francesca da Rimini and Paolo Malatesta in the Underworld,’ 1851, oil on canvas, Heinz Family Fund and Anonymous gift

Related Programming
For ticketing and more information, please visit our website or call 412.622.3288

 Member Preview
March 3, 10 a.m.–12 p.m.
Our members get an exclusive preview of Visions of Order and Chaos on its opening day!

Third Thursday: Toga
March 15, 8:00 pm–11:00 pm
Two words: TOGA PARTY. Beware the Ides of March! Dust off your curtains, wash those sheets, and get wrapped up for an adults-only (18+) party for the ages!

Enjoy activities throughout the evening, including:

  • Et tu, Thursday? Get a tour of Visions of Order and Chaos, our exhibition exploring the Age of Enlightenment (it’s full of togas and treachery!)
  • Floral and laurel crown making with WorkshopPGH to match your toga
  • UPMC Health Plan lounge with giveaways and some surprise healthy treats
  • Disco dance party with DJ Jarrett Tebbets
  • Plinth posing selfie station — work your inner statue
  • Performances by WVU’s West African Drum Ensemble, part of the National Council of Ceramic Arts (NCECA) annual convention
  • Demonstrations of ceramic making from NCECA

 

In-gallery Music with the Pittsburgh Symphony Orchestra
March 22, April 12, and May 10
5:30 pm–8:00 pm
Don’t miss CMOA and the Pittsburgh Symphony Orchestra bringing you the sights and sounds of the Enlightenment era! Visit our new exhibition, Visions of Order and Chaos: The Enlightened Eye for a special in-gallery music series on three different evenings. Just drop in for informal, intriguing conversations on art and music, free with admission. PSO musicians will perform music from the 18th and 19th centuries among period works of art. We’ll explore a different theme each month.

March 22
A cello quartet will play a Classical piece followed by a modern/pop piece that was influenced by the Classical composer.

April 12
PSO musicians play a selection of Beethoven in response to one of the exhibition’s central questions: “Can Empires Survive?”

May 10
Soprano Katy Williams will sing a selection of the Polish works by Chopin.
Anne Williams, principal cellist, will play a few short pieces by Robert Schumann.

While you’re here, stop by the bar for an opportunity to exchange ideas with curator Lulu Lippincott and researcher Costas Karakatsanis.

 

For more information and images, please contact Jonathan Gaugler.

 

Support
Generous support for this exhibition is provided by The Fellows of Carnegie Museum of Art, the Richard C. von Hess Foundation, the Gailliot Family Foundation, and Ritchie Battle. Additional support is provided by the Mary Louise and Henry J. Gailliot Fund for Exhibitions, the Martin G. McGuinn Art Exhibition Fund, Martha Malinzak, and The European Fine Art Foundation.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
CMOA creates experiences that connect people to art, ideas, and one another. We believe that creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world in order to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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Acclaimed photographer Deana Lawson shows never-before-seen works in new exhibition

Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

Deana Lawson
March 15–July 15, 2018
Forum Gallery

Pittsburgh, PA…Carnegie Museum of Art (CMOA) presents Deana Lawson, a new exhibition of never-before-shown photographs by Lawson (b. 1979). The Brooklyn-based artist’s growing body of work addresses critical issues surrounding representations of African Americans and the African diaspora. The exhibition is the 80th edition of CMOA’s dynamic Forum series, uninterrupted since 1990, bringing the work of extraordinary artists to Pittsburgh.

Deana Lawson, 'Nation,' 2017, © 2018 Deana Lawson

Deana Lawson, ‘Nation,’ 2017, inkjet print, © 2018 Deana Lawson

Few photographers working today unpack complexities of race and identity like Deana Lawson. Her strikingly-arranged portraits are packed with details that invite contemplation and close inspection. Lawson depicts people and interiors she encounters in her daily routines and travels, from her own neighborhood in Brooklyn to Soweto, South Africa, and beyond. She also appropriates photographs from other sources to address depictions of African Americans in media and visual culture. The exhibition includes 10 photographs, printed in the largest size ever for the artist. Their life-size scale affords scrutiny of the carpeting, clothing, furniture, hair, and jewelry that impact our perceptions—and perhaps biases—about people and their stories.

Deana Lawson also features photographic installations that burst out of the traditional picture frame and onto the exhibition walls. Lawson taps a variety of sources, including mass media and photo libraries, to explore how images in contemporary visual culture shape perceptions and stereotypes of people and communities.  Each one is site-specific to CMOA and meticulously assembled by the artist in response to the museum and its local context.

We invite everyone to meet Deana Lawson and exhibition curator Dan Leers at the opening reception. The event is on March 15 at 7 p.m., and is free to the public. The museum’s monthly Third Thursday series follows from 8–11 p.m.

CMOA’s Forum series hosts diverse artists working on innovative projects in our Forum Gallery, located in the main lobby of the museum. For over 25 years, the series has offered our curators a dynamic space to show new developments in contemporary art.

Deana Lawson is organized by Dan Leers, curator of photography at Carnegie Museum of Art.

 

Major funding for the Forum series is generously provided by the Juliet Lea Hillman Simonds Foundation. Additional support for this exhibition is provided by the Marty McGuinn Art Exhibition Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another.
We believe creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences.

Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

Carnegie Museum of Art Announces the participation of Koyo Kouoh in the Carnegie Int’l, 57th ed., 2018

 CONTACTS:

Justin Conner
Justin@hellothirdeye.com
917.609.8499

Jonathan Gaugler
gauglerj@cmoa.org
412.688.8690 / 412.216.7909

Overseen by curator Ingrid Schaffner, the Carnegie International is happening now! This month, Koyo Kouoh will present a Special Topics seminar at the University of Pittsburgh to develop “Dig Where You Stand,” an exhibition-within-an-exhibition for the International.


Koyo

Pittsburgh, PA…Carnegie Museum of Art (CMOA) and the University of Pittsburgh (Pitt) welcome Koyo Kouoh to Pittsburgh. Kouoh is the founding director of RAW Material Company, a center for art, knowledge and society, based in Dakar, Senegal. Starting with a public lecture on January 25th, Kouoh will spend two weeks as a visiting scholar at Pitt while conducting research for her contribution to the 2018 Carnegie International. “Dig Where You Stand” will present a range of objects selected by Kouoh from across the museum’s collections to reflect on the institution, its history, and coloniality— a contemporary interrogation of which has long guided Kouoh’s work.

“I think of this participation as a conversation between two curators—Ingrid and I—within an institution that has a long-standing history of an exhibition series that is a site of global artistic exchanges. I see this current moment with its political backdrop as an opportunity to have urgent conversations about living in a state of coloniality,” says Kouoh.

To introduce Kouoh’s work to the Pittsburgh community, Institution Building as Curatorial Practice, a free public lecture took place on January 25 at 6:00pm at the Frick Fine Arts Auditorium at the University of Pittsburgh. More information can be found here.

Koyo Kouoh is the founding artistic director of RAW Material Company, a center for art, knowledge and society in Dakar, Senegal. She was the curator of  1:54 FORUM, the educational program at the Contemporary African Art Fair in London and New York. She served on the curatorial teams for documenta 12 (2007) and documenta 13 (2012). She most recently launched RAW Académie, an experimental program for artistic thought and curatorial inquiry in Dakar. Besides sustaining theoretical, exhibition, and residency programs at RAW Material Company, she is active internationally as a curator and advisor. She lives and works in Dakar and Basel.

Curated by Ingrid Schaffner, the Carnegie Int’l, 57th ed., 2018 hosted five research trips and research companions in a year of travel leading up to the exhibition. Read more about the research travel here. It was while traveling in West Africa for the Dakar Biennial with Carin Kuoni, Director, The Vera List Center for Art and Politics, The New School, New York, that Schaffner was introduced to Raw Material Company. Of her subsequent invitation to Kouoh to participate in the International, Schaffner says:

“Of the brilliant artists, curators, and teachers who are showing us new ways of seeing history’s narratives and being citizens in the world today, Koyo Kouoh is a leader. What she is doing at Raw Material Company in Dakar models the vital role that cultural institutions everywhere can and must play in shaping civil societies and imagining just futures.”
As a visiting scholar at Pitt, Kouoh will be a graduate seminar guest lecturer. The seminar, taught by Assistant Professor Jennifer Josten, will grant students special insight into Kouoh’s curatorial process for the International. They will learn about the rise of new methodologies of cultural self-representation; consider how museum collections are built; and learn how contemporary presentations and interpretations can add layers or reveal new perspectives.

About the 57th Carnegie International
The International will open on October 13, 2018 and run through March 25, 2019. However, the International is already under way, with expanding research and creative documentation along with a highly crafted curatorial process, public programs, commissioned essays, and immersive site visits.

As the International evolves, stay tuned for news of more artist projects, Tam O’Shanter Drawing Sessions, Travelogues, and other public programs on cmoa.org and cmoa.org/carnegieintl.

Established in 1896 as the Annual Exhibition, the Carnegie International initially focused almost solely on painting. By 1955, the show had adopted a triennial schedule and, in 1958, it became known as the Pittsburgh International Exhibition of Contemporary Paintings and Sculpture, a title it retained until 1970. After an interruption in the 1970s, the exhibition resumed in 1977 and 1979 as the International series, single-artist shows intended as a parallel to the Nobel Prize for the arts. In 1982, it reappeared as the Carnegie International, and has been mounted every three to five years since. After the Venice Biennale, the Carnegie International is the oldest international survey exhibition in the world.

Support
Major support for the Carnegie International, 57th Edition, 2018 has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

 Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, call 412.622.3131 or visit cmoa.org.

Teenie Harris Photographs: Service and Sacrifice

Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

Pittsburgh, PA…Carnegie Museum of Art (CMOA) presents Teenie Harris Photographs: Service and Sacrifice, open January 27–May 28, 2018. The exhibition is the latest from CMOA’s Teenie Harris Archive, focusing on Harris’s work documenting the experiences of black soldiers.

Charles "Teenie" Harris, Medic soldier with cross arm band and flag, seated on duffel bag, c. 1930-1950, Carnegie Museum of Art, Heinz Family Fund

Charles “Teenie” Harris, Medic soldier with cross arm band and flag, seated on duffel bag, c. 1930-1950, Carnegie Museum of Art, Heinz Family Fund

During World War II, Charles “Teenie” Harris photographed thousands of African American soldiers who fought for a nation that didn’t always fight for them. Separated by years of Army service, Master Sergeant Eugene Boyer Jr. and former Staff Sergeant Lance A. Woods have selected 25 Harris images that speak to their experiences—the honor of military service, and the sacrifices that the families of service members make.

In addition, Harris photographed more than 1,000 soldiers in his studio over the course of his career. Many of these portraits remain unidentified. As part of Service and Sacrifice, the Teenie Harris Archive will make a selection of images available, and seek information about these individuals. Visit the exhibition, or contact 412.622.1011 for more information.

Teenie Harris was one of the great photographers of the 20th century, and his body of work stands as one of the most detailed records of the black urban experience. His photographs of service members, as well as of efforts on the home front, tell stories of black soldiers fighting for the American promise of civil liberties, and the opportunity for a better future.

Charles "Teenie" Harris, 'Man wearing military uniform and cap, standing at chalkboard,' c. 1944 , Carnegie Museum of Art, Heinz Family Fund

Charles “Teenie” Harris, ‘Man wearing military uniform and cap, standing at
chalkboard,’ c. 1944 , Carnegie Museum of Art, Heinz Family Fund

Charles "Teenie" Harris, 'Woman wearing military uniform, with two other women, and sign in background reading "Can YOU Qualify of the WAC or the WAF?"' c. 1949, Carnegie Museum of Art, Heinz Family Fund

Charles “Teenie” Harris, ‘Woman wearing military uniform, with two other women, and sign in background reading “Can YOU Qualify of the WAC or the WAF?”‘ c. 1949, Carnegie Museum of Art, Heinz Family Fund

Curators’ Statements

“During World War II, this country was segregated. If you were a black draftee, you in most cases went to the South to be trained in the South. Your officers were mostly white and mostly Southern, and they were picked because of their Southern background, because it was assumed that they knew how to handle you. There were times when the enemy was nicer than the person who commanded you.

“Today, I would recommend any of our military services to a young black person looking for a career. It’s not easy. It calls for a lot of dedication, concentration, and a love of country. But this is America. This is all our home.”

–Eugene Boyer Jr.

 

“Harris preserves the legacy of black patriotism in Pittsburgh during a time of visible discrimination. His lens permits us to witness the valor and sacrifice of black women and men in our military.

“Working on this exhibit, I tried to put myself in the shoes of black patriots who served during the Jim Crow era. I questioned whether their sacrifice for America afforded them any of its fundamental protections and promises. I questioned how they endured the indignity of being a “solider” abroad but a “boy” at home. Most of all, I questioned how they reconciled their allegiance to America with its long, violent history of subjugating black citizens.

“Nearly 70 years after President Truman desegregated the armed forces, these questions still cause a personal rift. When loyalties to my heritage and my veteran status threaten to tear me apart, I am empowered by the perseverance and triumphs of black patriots who served before me. Listening to veterans like Mr. Boyer and my grandfather, Sidney Ivory, I learn that my pride in my heritage is not compromised by a willingness to serve my country.”

–Lance A. Woods

Teenie Harris Photographs: Service and Sacrifice is guest-curated by Eugene Boyer Jr. and Lance A. Woods, in collaboration with Dominique Luster, Teenie Harris Archivist.

Support
The Teenie Harris Archive at Carnegie Museum of Art is generously supported by the Richard King Mellon Foundation.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
CMOA creates experiences that connect people to art, ideas, and one another. We believe that creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world in order to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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