All posts by Jonathan Gaugler, Media Relations Manager

CMOA Announces Recent Acquisitions

July 11, 2018
Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

CMOA Announces Recent Acquisitions

Carnegie Museum of Art announces recent collection acquisitions. These highlights in contemporary art, decorative arts, and photography join the museum’s collection of over 30,000 works. Three of them, by Joan Brown, Alex Katz, and Pope.L, will debut in Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now, opening July 20.

Joan Brown, 'The Room, Part 1,' 1975, oil enamel on canvas, Carnegie Museum of Art, Purchase, gifts of Paul Chanin, Samuel Kootz, and Dr. and Mrs. Laibe A. Kessler, by exchange. Courtesy of The Estate of Joan Brown

Joan Brown, ‘The Room, Part 1,’ 1975, oil enamel on canvas, Carnegie Museum of Art, Purchase, gifts of Paul Chanin, Samuel Kootz, and Dr. and Mrs. Laibe A. Kessler, by exchange. Courtesy of The Estate of Joan Brown

San Francisco–born painter Joan Brown is best known for her large-scale self-portraits, which combine bright, cartoonish drawing with a Beat sensibility and her own personal lexicon of symbols. The Room, Part 1 is a particularly introspective self-portrait depicting an isolated figure studying a painting of Chinese Kazakhs of the Altai mountain range in western Mongolia. It signals a shift when Brown began to seek spiritual and metaphysical awakening through research into non-Western cultures and religions.

Alex Katz
Vivien Baseball Cap, 2006
Oil on linen
Carnegie Museum of Art, gift of the artist
For image permissions, please contact VAGA

Alex Katz is one of the most celebrated living American painters. His seemingly effortless and often large-scale canvases offer intimate depictions of family and friends as well as seasonal change and the landscape. The subject of this painting is the artist’s daughter-in-law, Vivien. Katz was featured prominently in the 1999 Carnegie International, and is one of the few living artists collected in significant depth by CMOA.

 

Small glass bottle with geometric facets

Consolidated Lamp & Glass Co. (manufacturer),
Reuben Haley (designer), Ruba Rombic toilet bottle, 1928–1932, glass, Carnegie Museum of Art, James L. Winokur Fund and the Elizabeth A. Drain Fund

This perfume bottle was a part of the Ruba Rombic line of glassware manufactured at the Consolidated Lamp and Glass Company in Coraopolis, PA around 1928. Inspired by modern art, including Cubism, the Ruba Rombic line was sold around the country for a limited time. This bottle’s beautiful, iridescent lilac color is rare.

Wall hanging made of silver platters, cut and welded together, with filigree cut out to create a tattered bottom edge

Jaydan Moore, ‘Platter / Rather,’ 2016, found and reconfigured silver-plated platters, Carnegie Museum of Art, Second Century Acquisition Fund

“One man’s trash is another man’s treasure,” or so the saying goes. In this beautiful, ornamental wall plaque, artist Jayden Moore reconfigures dozens of 19th- or 20th-century silver-plated platters. With fussy engraved decoration, the trays represent the modern democratization of silver with more affordable, silver-plated base metal. Banal inscriptions, such “Crestwood Farms / Garden Club / 1975–1977” reveal the longstanding tradition of commemorative plaques and trophies. Despite the legacy of traditions that elevated such objects, all the platters in this work ceased to matter. They were discarded, trashed, and forgotten. Moore picks up the pieces, literally, and refashions them with metal snips, solder, and a jeweler’s saw. His meditative, finished work is more interesting today than any of its component parts.

Image of intricate lace

Lisa Oppenheim, ‘Leisure Work III’ (Top), 2013, gelatin silver print, Purchased with funds provided by The William Talbott Hillman Foundation

For this work, Lisa Oppenheim placed lace directly on top of photographic paper and exposed it to light, creating a direct negative or “photogram.” This process was invented by William Henry Fox Talbot, the originator of photography on paper and an inspiration for Oppenheim. The title is a reference to the classification of female lace makers in early 20th-century Belgium as “leisure workers,” which prevented them from being able to vote.

Pope.L, 'Fountain (reparations version),' 2016-2017, acrylic, oil, oil stick, chalk, and chewing gum on porcelain fountain, Carnegie Museum of Art, A. W. Mellon Acquisition Endowment Fund, © Pope.L, Courtesy of the artist and Mitchell-Innes & Nash, NY

Pope.L, ‘Fountain (reparations version),’ 2016-2017, acrylic, oil, oil stick, chalk, and chewing gum on porcelain fountain, Carnegie Museum of Art, A. W. Mellon Acquisition Endowment Fund, © Pope.L, Courtesy of the artist and Mitchell-Innes & Nash, NY

The multidisciplinary, Chicago-based artist Pope.L has been challenging notions of race, class, and social stereotyping with his work across a variety of mediums since the late 1970s. His work was included in CMOA’s exhibition 20/20: The Studio Museum in Harlem and Carnegie Museum of Art in 2017. Fountain (reparations version) unites many of the artist’s recurring interests such as artist Marcel Duchamp’s “readymades,” the history of Jim Crow laws in America, and the Flint water crisis in Michigan.

Round bottle with painted scene showing river boats

Unknown British, Flask, ca. 1830, transfer-printed earthenware, Carnegie Museum of Art, Berdan Memorial Trust Fund, Elizabeth A. Drain Fund and the Mary Murtland Wurts Fund

Although this earthenware flask or canteen was manufactured in England, it was designed for export to the United States. The image on both sides, which was transferred to the clay by printing on tissue paper, depicts a busy day along the Monongahela River, just south of downtown Pittsburgh, in the early 19th century.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another.
We believe creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences.

Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

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Carnegie International Highlights Five Projects

CONTACT
Jonathan Gaugler
gauglerj@cmoa.org
412.688.8690 / 412.216.7909

Shawna Gallancy
shawna@suttonpr.com
212.202.3402

New Works by Artists Across the Globe from Ho Chi Minh City to the American Southwest to Pittsburgh

Carnegie International: October 13 – March 25, 2019
Press & VIP Preview Day: October 12, 2018

Press & VIP accreditation now open.

Please visit our press resources for images and further information.

Pittsburgh, PA (June 21, 2018) The opening of Carnegie International, 57th Edition, 2018 is four months out, and 32 artists and artist collectives are busy composing and constructing their contributions in time for the October 13 opening. Carnegie Museum of Art (CMOA) is pleased to preview five works in progress that represent the expansiveness and particularity of the exhibition to come.

Zoe Leonard, Image from 'Rio' (working title), 2016-2018. Gelatin silver prints. © Zoe Leonard, Courtesy the artist, Hauser & Wirth and Galerie Gisela Capitain, Cologne.

Zoe Leonard, Image from ‘Rio’ (working title), 2016-2018. Gelatin silver prints. © Zoe Leonard, Courtesy the artist, Hauser & Wirth and Galerie Gisela Capitain, Cologne.

These five projects by Postcommodity, Zoe Leonard, Art Labor with Joan Jonas, Dayanita Singh, and Lenka Clayton and Jon Rubin reflect the travels curator Ingrid Schaffner undertook in the research phase of the exhibition and underscore this International’s grounding here in Pittsburgh. They showcase the diversity of artists and art forms that will be on view. They also offer a glimpse of the connections that bring disparate works together into a rigorously crafted whole—Schaffner is known for her detailed, deeply researched, and exuberant exhibitions. These selections from the upcoming International suggest some of the preoccupations and questions about the contemporary—both in art and in the world—that the artists will bring into the museum for us to experience together.

Postcommodity
Postcommodity is an interdisciplinary, indigenous art collective based in the American Southwest. In ambitious works like Repellent Fence—a two-mile-long land art installation of weather balloons stretching across the U.S.-Mexico border—they use their indigenous lens to refocus the world, revealing culture and history in new ways. Their monumental work for the International will transform the museum’s grand Hall of Sculpture with materials of the city’s industrial past—glass, coal, and steel—and with performances by local musicians rooted in Pittsburgh’s history of jazz.

Zoe Leonard
New York-based Zoe Leonard’s participation in the International comes as a major survey moves from the Whitney Museum of American Art to the Museum of Contemporary Art in Los Angeles. Her work in photography and sculpture is often epic in scale, as in her vast installation of 4,000 vintage postcards that map Niagara Falls. Her contribution to the International is part of a new epic: to photograph the length of the Rio Grande as it forms a charged, serpentine border between the United States and Mexico.

 Art Labor with Joan Jonas
The Ho Chi Minh City–based collective Art Labor will make a hammock café complete with coffee service. This extension of Art Labor’s ongoing project, Jarai Dew, will bring together research into Vietnam’s coffee industry, painting, sculpture, and sound to create a vibrant and relaxing social experience. The installation will be crowned by kites painted by Joan Jonas, whose pioneering video, performance, and installation art is currently the subject of a major survey at Tate Modern in London. Art Labor connected with Joan Jonas when one of its members won the prestigious Rolex Mentorship Award.

Dayanita Singh
Dayanita Singh’s Museum Bhavan—a museum in the form of a book—recently won two important prizes, from the Paris Photo-Aperture Foundation and the International Center for Photography. A New Delhi-based artist with a background in photojournalism, Singh has created new ways to bring her photographs of archives, family, and poetic spaces into the world. For the International, she is contributing a portable exhibition in the form of modular teak structures that collect and display photographs of mysterious bundles.

Lenka Clayton and Jon Rubin
Prominent Pittsburgh-based artists Lenka Clayton and Jon Rubin will transform the Carnegie’s Forum Gallery into a busy studio with pairs of painters at work. For the duration of the exhibition, the painters will create text-based paintings of the titles of rejected works submitted to the International between 1896–1931. Visitors will be able to take home these paintings, like The Pink Bungalow, and The Song of the Talking Wire, picked from an accumulating installation that will produce hundreds of paintings.

Clayton and Rubin are known for their social practice works, like Rubin’s long-running Conflict Kitchen (with Dawn Weleski), a take-out restaurant serving food from countries with which the U.S. is in conflict, and Clayton’s open, ongoing Residency in Motherhood, which reframes being a mother as a valuable site for creativity. Their contribution to the International is their next big project after the six-month run of …circle through New York at the Guggenheim Museum in Manhattan.

Accreditation
The press preview for Carnegie International, 57th Edition, 2018 will be Friday, October 12, 10 a.m.–12:30 p.m.

To attend, please apply for press accreditation.

To learn more about this Carnegie International, please see our past press announcements.

Support
The Carnegie International, 57th Edition, 2018, presented by Bank of America, is made possible with major support from the Carnegie International Endowment, The Fine Foundation, and the Keystone Members of the 2018 Carnegie International. Additional support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, the National Endowment for the Arts, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

 

crossroads banner conner

New Contemporary Galleries at CMOA open July 20

June 26, 2018

Contact:
Jonathan Gaugler
gauglerj@cmoa.org
412.688.8690

Emily Willson
willsone@cmoa.org
412-622-3328

Crossroads mines collection for diversity, depth, and eccentricities
High resolution press images are available.

Pittsburgh, PA…Carnegie Museum of Art (CMOA) announces Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now, a major reinstallation of the museum’s galleries dedicated to postwar and contemporary art. Opening to the public on July 20, Crossroads mines the collection’s depth, diversity, and eccentricities, situating the work of artists at the intersections of history, society, politics, and biography. Instead of a strictly chronological hang, each gallery represents a chapter in the larger story of CMOA’s world-class collection.

Guerrilla Girls, 'You're seeing less than half the picture,' 1989, offset laser or inkjet print poster, Carnegie Museum of Art, Alan D. and Marsha W. Bramowitz Contemporary Print Acquisition Fund

Guerrilla Girls, ‘You’re seeing less than half the picture,’ 1989, offset laser or inkjet print poster, Carnegie Museum of Art, Alan D. and Marsha W. Bramowitz Contemporary Print Acquisition Fund

“Andrew Carnegie’s mandate to acquire the art of our time has resulted in a collection that is more than the sum of its parts,” says Eric Crosby, CMOA’s Richard Armstrong Curator of Modern and Contemporary Art. “I hope Crossroads will allow visitors to see art of the recent past through the lens of the present and to connect with themes and stories that resonate today.”

The modern and contemporary galleries are currently closed as they undergo a complete transformation. Visitors will be invited to preview the new collection galleries as part of CMOA’s Third Thursday celebration on July 19.

Crossroads features some 150 works ranging from familiar masterpieces by Alberto Giacometti, Willem de Kooning, Joan Mitchell, and Mark Rothko to recent acquisitions in painting, sculpture, and photography. Many works have never been seen before in CMOA’s collection galleries, including Kerry James Marshall’s Untitled (Gallery) (2016) and Alex Katz’s Vivien Baseball Cap (2006), a recent gift by the artist. Joining these new acquisitions are works by Pope.L, Torey Thornton, Avery Singer, Michael Williams, Lorraine O’Grady, and Tseng Kwong Chi.

Pope.L, 'Fountain (reparations version),' 2016-2017, acrylic, oil, oil stick, chalk, and chewing gum on porcelain fountain, Carnegie Museum of Art, A. W. Mellon Acquisition Endowment Fund, © Pope.L, Courtesy of the artist and Mitchell-Innes & Nash, NY

Pope.L, ‘Fountain (reparations version),’ 2016-2017, acrylic, oil, oil stick, chalk, and chewing gum on porcelain fountain, Carnegie Museum of Art, A. W. Mellon Acquisition Endowment Fund, © Pope.L, Courtesy of the artist and Mitchell-Innes & Nash, NY

Other highlights on view include: Black Crowd (1954), a masterpiece by the Chinese émigré painter Zao Wou-Ki; Green Thought (1958), a recently conserved work by the color field painter Morris Louis from his iconic Veil series; Gordon Matta-Clark’s Conical Intersect (1975), a recently digitized film documenting the artist’s challenging architectural interventions in Paris; a rarely-exhibited large-scale 1981 painting by Keith Haring; a collection of posters by the Guerrilla Girls, the feminist collective who defined art as activism in the 1980s; and Louise Bourgeois’s Cell II (1991), a mysterious installation of found objects presented in the 1991 Carnegie International.

Crossroads unfolds in a series of “chapters,” beginning with the work that gives the installation its title: Bruce Conner’s 1976 film CROSSROADS. The film is a hypnotic and troubling collage of US military atomic bomb tests at Bikini Atoll in 1946. These devastating blasts signal a disruptive turning point in history, and the beginning of the postwar collection.

Bruce Conner, Still from 'CROSSROADS' 1976, 35mm, black/white, sound, 37min, Digitally Restored, 2013, Carnegie Museum of Art, © Conner Family Trust

Bruce Conner, Still from ‘CROSSROADS,’ 1976, 35mm, black/white, sound, 37min, Digitally Restored, 2013, Carnegie Museum of Art, © Conner Family Trust

“Conner’s rapturous film is a meditation on the cataclysmic events that have shaped human life since World War II,” Crosby says. “His notion of a ‘crossroads’ is an evocative metaphor for us, one that underscores the pivotal decisions artists make and amplifies the relevance of CMOA’s collection today.”

Each of the eight chapters foregrounds artistic decision-making as an urgent and powerful form of thinking in the world. These chapters include:

A New Horizon – Prompted by new artistic freedoms and a shifting global order following World War II, artists of the 1950s respond with innovative forms of abstraction in painting and sculpture.

Call of the Wild – In the late 1940s, a loose-knit band of northern European painters and poets called CoBrA experimented with art that was mischievous, playful, and irreverent. The gallery reintroduces CMOA’s extensive, rarely exhibited CoBrA collection.

More than Minimal – Though Minimalist works of the 1960s and 1970s may seem cold and impersonal, behind each is a story of touch, perception, and lived experience, lending a human dimension to otherwise simplified forms.

Night Poetry – Borrowing its title from a 1962 painting by the Pittsburgh-born artist Raymond Saunders, this dream-like gallery summons rarely seen works from the darker recesses of the collection.

Abstract, dark canvas with a single flower blossoming in among dark paint

Raymond Jennings Saunders, ‘Night Poetry,’ 1962, oil on canvas, Carnegie Museum of Art, Gift of Leland and Mary Hazard, © Raymond Saunders

Artists’ Cinema – Throughout the 1970s and 1980s, the museum served as a hub for a vibrant local film community. This gallery features a rotating program of important and under-recognized works from the museum’s collection.

Less Than Half the Picture – The turmoil of the 1980s prompted widespread debate about of the value and role of art in society. A new generation of artists embraced politically charged ways of working in response to the most vital issues of the day.

The Persistence of Painting –  From the rise of the internet to the ubiquity of digital cameras, today’s complex visual environment has pushed a centuries-old medium in unpredictable directions.

Free Radicals – How do artists locate themselves in our complex world? How do they redress historical omissions? How do they embody forms of resistance and protest? And how do they challenge tradition and the status quo?

Crossroads embraces a modular rather than chronological structure. This approach permits curators to refresh galleries in the future through new rotations and themes. Drawing from its broad collection, CMOA’s contemporary program will continue to surface ideas and stories that speak to our rapidly changing world.

Acting co-director and chief curator Catherine Evans says, “CMOA has an incredible collection, yet we are only able to present a sliver of it at any time. Crossroads signals a renewed energy for these galleries, and its format creates opportunities to do some deep digging into our holdings to prompt new perspectives and conversations. In 2019, we’re excited to bring more innovative approaches to engaging our visitors in our collection spaces.”

Support
General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another.
We believe creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences.

Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.

Carnegie International, 57th Edition, 2018

Artists Announced for Carnegie International, 57th Edition, 2018

FOR IMMEDIATE RELEASE

April 11, 2018

Contacts
Jonathan Gaugler
Carnegie Museum of Art
gauglerj@cmoa.org
412.688.8690

Shawna Gallancy
SUTTON
shawna@suttonpr.com
212.202.3402

Pittsburgh, PA…Curator Ingrid Schaffner announced today the artists in Carnegie International, 57th Edition, 2018 which runs October 13, 2018–March 25, 2019 at Carnegie Museum of Art. Established in 1896, the Carnegie International exhibitions have built a rich history of introducing audiences to contemporary art from around the world. The 2018 Carnegie International will feature:

Yuji Agematsu
El Anatsui
Art Labor with Joan Jonas
Huma Bhabha
Mel Bochner
Mimi Cherono Ng’ok
Lenka Clayton and Jon Rubin
Sarah Crowner
Alex Da Corte
Tacita Dean
Jeremy Deller
Kevin Jerome Everson
Han Kang and IM Heung-soon
Leslie Hewitt
Saba Innab
Karen Kilimnik
Zoe Leonard
Kerry James Marshall
Park McArthur
Josiah McElheny with John Corbett and Jim Dempsey
Ulrike Müller
Thaddeus Mosley
The Otolith Group
Postcommodity
Jessi Reaves
Abel Rodriguez
Rachel Rose
Beverly Semmes
Dayanita Singh
Lucy Skaer
Tavares Strachan
Lynette Yiadom-Boakye
and
“Dig Where You Stand,” by independent exhibition maker Koyo Kouoh

With 32 artists and artist collectives, the exhibition invites visitors to explore what it means to be “international” at this moment in time, and to experience museum joy. The pleasure of being with art and other people is integral to the composition of this International—a series of encounters with contemporary art inside the world of the Carnegie Museum. Among the new and ambitious projects are: an unprecedented collaboration between novelist Han Kang and filmmaker IM Heung-soon; an exhibition-within-the-exhibition curated by Koyo Kouoh that draws from the museum’s collection; and an interpretation of rejected works from the history of the Carnegie International by Lenka Clayton and Jon Rubin. Other components of the International include a mapping of Pittsburgh through photography in the museum’s Teenie Harris Archive, one of the most detailed and intimate records of the black urban experience, and the Cinémathèque series of film screenings. The 57th edition also builds upon a long legacy of research and collecting by Carnegie Museum of Art.

The 57th Carnegie International artists include:
1 independent exhibition-maker
6 art collectives and collaborators
13 individual artists who use the pronoun “he”
17 individual artists who use the pronoun “she”
20 artists who live in the US
3 artists who live in Asia
5 artists who live in Europe
2 artists who live in Africa
1 artist who lives in South America
1 artist who lives in the Middle East

National affiliations by residence and birth: Austria, Bahamas, Cameroon, Cherokee Nation, Colombia, England, Germany, Ghana, India, Japan, Jordan, Kenya, Korea, Kuwait, Lebanon, Navajo Nation, Nigeria, Nonuya Nation, Pakistan, Palestine, Scotland, Senegal, Switzerland, United States of America, and Vietnam.

Programming
The International is already underway with an array of programs and publications. The ongoing Tam O’Shanter Drawing Sessions, conducted by artists and other participants in the exhibition, welcome the public to explore contemporary art through drawing, mapping, writing, doodling, and other improvisations. Past sessions have been led by Schaffner, Art Labor, Maira Kalman, Prem Krishnamurthy, Thaddeus Mosley, and Dayanita Singh. They will continue, from this weekend’s zine-making workshop by Mimi Cherono Ng’ok, through the run of the exhibition.

In addition, the International has launched KEYWORD: INTERNATIONAL, a catalyst for creative research and conversation in collaboration with the Kelly Strayhorn Theater. Twenty arts activators will receive micro-grants to support research projects that define Pittsburgh as an international city. On October 20, 2018, fellows will present their findings during a daylong symposium that will be published in the exhibition’s catalogue.

For more information on public programs please see: https://2018.carnegieinternational.org/programs/

The Curator
Curator Ingrid Schaffner and Associate Curator Liz Park are available for interview. Schaffner’s process started with a series of research trips with five curator colleagues as her traveling and thinking Companions: Magalí Arriola, Doryun Chong, Ruba Katrib, Carin Kuoni, and Bisi Silva. Each Companion traveled with Schaffner to places new to both of them. This research shaped not only Schaffner’s work on the International, but also the Companion’s work in the field at large. A series of Travelogues published on the International’s website offers a window into this process: https://blog.cmoa.org/tag/the-travelogue-series/.

Support
Major support for Carnegie International, 57th Edition, 2018 has been provided by the Carnegie International Endowment, The Fine Foundation, and the Keystone Friends of the 2018 Carnegie International. Additional major support is provided by the Friends of the 2018 Carnegie International, the Jill and Peter Kraus Endowment for Contemporary Art, The Fellows of Carnegie Museum of Art, and the Louisa S. Rosenthal Family Fund.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. The programs of the Heinz Architectural Center are made possible by the generosity of the Drue Heinz Trust. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. The museum is committed to global engagement and regional advancement. We champion creativity and its importance to society with experiences that welcome, inspire, challenge, and inform. Our core activities—collecting, conserving, presenting, and interpreting works of art—make those experiences possible. Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. To learn more, please call 412.622.3131 or visit cmoa.org.

Press room banner general

Visions of Order and Chaos Programming Includes PSO Collaboration

Contact: Jonathan Gaugler | gauglerj@cmoa.org | 412.688.8690 / 412.216.7909

Pittsburgh, PA…Carnegie Museum of Art announces events and programming for its upcoming exhibition, Visions of Order and Chaos: The Enlightened Eye. We are thrilled to host a series of in-gallery music events in collaboration with Pittsburgh Symphony Orchestra. These evening events pair the music and visual art of the Enlightenment, and take place three times over the course of the show.

Visions of Order and Chaos packs CMOA’s Heinz Galleries with over 200 works from its 1750–1850 holdings. Through extensive research and conservation efforts, we’re able to showcase 75% works which have never before exhibited at the museum. The exhibition shares artist’s visions of a world rapidly becoming modern, and shaped by explosive debates.

Visions of Order and Chaos: The Enlightened Eye
March 3–June 24, 2018
Heinz Galleries, Carnegie Museum of Art

Ary Scheffer, 'Dante and Virgil Encountering the Shades of Francesca da Rimini and Paolo Malatesta in the Underworld,' 1851, oil on canvas, Heinz Family Fund and Anonymous gift

Ary Scheffer, ‘Dante and Virgil Encountering the Shades of Francesca da Rimini and Paolo Malatesta in the Underworld,’ 1851, oil on canvas, Heinz Family Fund and Anonymous gift

Related Programming
For ticketing and more information, please visit our website or call 412.622.3288

 Member Preview
March 3, 10 a.m.–12 p.m.
Our members get an exclusive preview of Visions of Order and Chaos on its opening day!

Third Thursday: Toga
March 15, 8:00 pm–11:00 pm
Two words: TOGA PARTY. Beware the Ides of March! Dust off your curtains, wash those sheets, and get wrapped up for an adults-only (18+) party for the ages!

Enjoy activities throughout the evening, including:

  • Et tu, Thursday? Get a tour of Visions of Order and Chaos, our exhibition exploring the Age of Enlightenment (it’s full of togas and treachery!)
  • Floral and laurel crown making with WorkshopPGH to match your toga
  • UPMC Health Plan lounge with giveaways and some surprise healthy treats
  • Disco dance party with DJ Jarrett Tebbets
  • Plinth posing selfie station — work your inner statue
  • Performances by WVU’s West African Drum Ensemble, part of the National Council of Ceramic Arts (NCECA) annual convention
  • Demonstrations of ceramic making from NCECA

 

In-gallery Music with the Pittsburgh Symphony Orchestra
March 22, April 12, and May 10
5:30 pm–8:00 pm
Don’t miss CMOA and the Pittsburgh Symphony Orchestra bringing you the sights and sounds of the Enlightenment era! Visit our new exhibition, Visions of Order and Chaos: The Enlightened Eye for a special in-gallery music series on three different evenings. Just drop in for informal, intriguing conversations on art and music, free with admission. PSO musicians will perform music from the 18th and 19th centuries among period works of art. We’ll explore a different theme each month.

March 22
A cello quartet will play a Classical piece followed by a modern/pop piece that was influenced by the Classical composer.

April 12
PSO musicians play a selection of Beethoven in response to one of the exhibition’s central questions: “Can Empires Survive?”

May 10
Soprano Katy Williams will sing a selection of the Polish works by Chopin.
Anne Williams, principal cellist, will play a few short pieces by Robert Schumann.

While you’re here, stop by the bar for an opportunity to exchange ideas with curator Lulu Lippincott and researcher Costas Karakatsanis.

 

For more information and images, please contact Jonathan Gaugler.

 

Support
Generous support for this exhibition is provided by The Fellows of Carnegie Museum of Art, the Richard C. von Hess Foundation, the Gailliot Family Foundation, and Ritchie Battle. Additional support is provided by the Mary Louise and Henry J. Gailliot Fund for Exhibitions, the Martin G. McGuinn Art Exhibition Fund, Martha Malinzak, and The European Fine Art Foundation.

General operating support for Carnegie Museum of Art is provided by The Heinz Endowments and Allegheny Regional Asset District. Carnegie Museum of Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania.

Carnegie Museum of Art
CMOA creates experiences that connect people to art, ideas, and one another. We believe that creativity is a defining human characteristic to which everyone should have access. CMOA collects, preserves, and presents artworks from around the world in order to inspire, sustain, and provoke discussion, and to engage and reflect multiple audiences. Our world-class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present. One of the four Carnegie Museums of Pittsburgh, Carnegie Museum of Art was founded by industrialist and philanthropist Andrew Carnegie in 1895. Learn more: call 412.622.3131 or visit cmoa.org.